Morocco’s cultural diversity

The preamble of the 2011 Constitution, states that Morocco is a sovereign Muslim State, attached to its national unity and to its territorial integrity. The Kingdom of Morocco intends to preserve, in its plentitude and its diversity, its one and indivisible national identity. Its unity is forged by the convergence of its Arab-Islamist, Amazigh and Saharan-Hassanic components, nourished and enriched by its African, Andalusian, Hebraic and Mediterranean influences. The preeminence accorded to the Muslim religion in the national reference is consistent with the attachment of the Moroccan people to the values of openness, moderation, tolerance and dialogue for mutual understanding between all the cultures and the civilizations of the world.

Morocco’s rich historical past is reflected in its modern-day culture. Foods, languages, art and landmarks in Morocco are a fusion of the various ethnicities, religions and nationalities which made their mark on Moroccan culture.

A key actor in promoting Interfaith Dialogue

Morocco has always been an outstanding model of cultural coexistence and interaction between Islam, Judaism and Christianity. This tradition dates back centuries when Moroccan dynasties ruled over Spain (Andalusia). This rich historical background combined with the longstanding tradition of religious diversity and tolerance has led it to play a pioneering role in interfaith dialogue and in the alliance of civilizations.

Morocco’s  Jewish heritage

The history of Moroccan Jews dates back to pre-Christian times when they accompanied Phoenicians traders on their trade expeditions across Europe and North Africa. The gradual reconquest of Muslim Spain by Queen Isabella and her call for all Jews to be driven out the Kingdom and its territories in 1492 led to a massive exile. Morocco sheltered a big portion of Jewish refugees escaping persecution and forced conversion to Christianity during the Spanish Inquisition thus perpetuating the longstanding tradition of peaceful coexistence between Muslims and Jews dating back to the 7th century.

During World War II, while Morocco was put under French protectorate, King Mohammed V firmly refused to apply the laws of the Vichy Government and to transfer Moroccan Jews to concentration camps.

Today, Morocco has a vibrant Jewish community, with thriving synagogues and schools. Members of the Jewish community have played and continue to play key roles in Moroccan political life, such as serving as senior Royal advisor, Ambassador-at-large and parliamentary candidates.

Morocco’s Jewish Heritage sites are among the most widely visited in the world, they consist of Synagogues, Cemeteries, Zaouias and Mellahs, all preserved respectively in the former Jewish neighborhoods of the medinas.

The Jewish Heritage sites in Morocco are regularly under renovation and preservation as to ensure they remain a part of Morocco’s Heritage. The Government of Morocco protects them all and come have been considered as UNESCO World Heritage sites. HM King Mohammed VI has been personally involved in the restoration of Jewish cemeteries throughout Morocco and to rehabilitate the 16th century Jewish neighborhood of Marrakesh including by having its original name restored (Mellah).

Morocco is also home to the only Jewish museum in the Muslim World. The Museum of Moroccan Judaism was created by the Jewish community in Casablanca in 1997. It is a museum of both history and ethnography, and holds a treasure trove of collectables such as Hanukkah menorahs, oil lamps, marriage contracts and traditional costumes. It also has a library and video library.

Amazigh Language in Morocco

In order to preserve Morocco’s Amazigh heritage, King Mohammed VI established the Royal Institute of the Amazigh Culture (IRCAM). IRCAM is responsible for maintaining and promoting the Amazigh language and preserve the national heritage of Morocco. With the adoption of the 2011 Constitution, the Amazigh language, which has three dialects (Tarifit, Tashelhit and Tamazight), was granted the status of official language. This is a first in North Africa and the Sahel where Amazigh is also spoken.

Amazigh is now taught not only in primary schools, but also in some Moroccan universities. The universities of Agadir, Fez, and Oujda have each created a Department of Amazigh Studies to improve the teaching and the learning of the language and culture. Up to 7.5 million or about 30% of Moroccans are Amazigh-speaking.

Hassania: More than a dialect, an inexhaustible source of wisdom

The Hassania is an Arab dialect spoken in a wide geographical area spreading from the Saharan regions of Morocco to the Senegal River (in Mauritania). Morocco has undertaken a number of initiatives to preserve and promote its Saharo-Hassani culture. Four public libraries have been opened and a number of cultural and musical festivals are organized in various Saharan cities of Morocco (Dakhla, Laayoune, Tan Tan). A cultural club, a mediatheque, a museum (Dakhla), an Institute of Hassani music and a Centre for preserving Hassani culture have also been established. Although the Hassani culture is primarily oral, the Centre has collected 400 manuscripts of Hassani poetry.

Culture: a catalyst for human, social and economic development

Morocco is witnessing a cultural boom thanks to its renowned international festivals and large projects launched by HM King Mohammed VI to transform Morocco into an important artistic destination. It gained international attention by attracting world famous acts to its numerous music festivals, such as “Mawazine”, “Jazzablanca”, the “Fez Festival of World Sacred Music” and “Essaouira International Gnawa Festival”. Its eighteen film festivals, which take place every year in Morocco such as “The Marrakech International Film Festival” are an opportunity to showcase local and International films and promote arts and the film industry.

In October 2015, the city of Rabat opened the Mohammed VI Museum of Modern and Contemporary Art in line with HM King Mohammed VI’s desire to make culture a catalyst for human, social and economic development and to provide Morocco with top-notch cultural facilities that foster creativity and cultural democratization. The museum seeks to create bridges with various international institutions and foundations to serve a wider audience. Also in October 2014, HM King Mohammed VI launched the construction of grand theatres in Casablanca (biggest theater in Africa) and Rabat (Zaha Hadid design).

Film Industry in Morocco

Morocco’s geographic position and unique landscapes make it an attractive investment destination to the biggest players in the film industry. For over a century, Morocco has been one of the world’s major film-shooting site. The city of Ouarzazate (nicknamed “Ouarzawood”) sits at the doorstep of the Sahara and its film studios have become one of the favorite destinations of many film directors such as Ridley Scott, Martin Scorsese and Paul Greengrass.

The Government of Morocco adopted new incentives in 2017 to promote filming in Morocco. All materials and services used in the filming of foreign are exempted from taxes (20%) and customs procedures to import technical equipment and machinery needed for filming are facilitated. The most popular films shot in Morocco include Le chevrier Marocain by Louis Lumière in 1897, "Lawrence of Arabia" (1962), "The Living Daylights" (1987), "The Last Temptation of Christ" (1988), "The Mummy" (1999), "Gladiator" (2000), “Black Hawk Dowm”   (2001),  "Kingdom   of Heaven" (2005), "Kundun" (1997), "Babel" (2006), “The Bourne Ultimatum” (2007), ‘’sex and the city 2’’ (2010), "Salmon Fishing in the Yemen" (2011), “American Sniper” (2015), Mission Impossible (2015), John Wyck 3 (2019). Parts of different TV series such as "Game of Thrones", “Homeland”, “Tyrant”, and "Prison Break" have also been shot in Morocco.

Tea for two

Much like in the UK, tea is integral to Moroccan culture. In Morocco, tea is traditionally prepared with mint and sugar to give it a distinctive sweet taste and is served at almost all social gatherings.

Morocco's tea culture is also intertwined with that of the UK. At the end of the nineteenth century, a Moroccan merchant living in the English city of Manchester came across the products of silversmith Richard Wright. The merchant thought the tea sets would work so well for traditional Moroccan tea, that he began exporting them to Morocco. Soon, Richard Wright was the main supplier of tea sets to Morocco and even became a noun, rayt, which signifies white metal of superior quality. Although initially, a preserve of Morocco's rich, the tea sets became so popular with Moroccans that they were soon adapted and made locally. To this day, millions of Moroccans consume tea from sets inspired by those brought to the country from the UK.